One of the iconic figures of the twentieth-century cinema, Sergei Eisenstein is best known as the director of The Battleship Potemkin, Alexander Nevskii and Ivan the Terrible. His craft as director and film editor left a distinct mark on such key figures of the Western cinema as Nicolas Roeg, Francis Ford Coppola, Sam Peckinpah and Akiro Kurosawa.This comprehensive volume of Ei...(展开全部)

"The war arrived in our village on the 18th of January. Obviously there were other wars going on, but they didn't have anything to do with us. There were wars for blacks. Wars for Arabs. Wars for Slavs. Our war started on the 18th of January, and in a few days, everything had changed." So recounts Giuliano, a loner among outsiders, one of threeyoungdrifters caught up in the wh...(展开全部)

A history of how corporate innovation has shaped society, from ancient Rome to Silicon Valley Americans have long been skeptical of corporations, and that skepticism has only grown more intense in recent years.Meanwhile, corporations continue to amasswealth and power at a dizzying rate, recklesslypursuingprofitwhile leaving society to sort out the costs. In For Profit, law pr...(展开全部)

邱妙津，台湾彰化人，一九六九年生，一九九一年毕业于台湾大学，一九九二年赴法国，留学巴黎第八大学心理系，一九九五年六月在巴黎自杀身亡，年仅二十六岁。邱妙津多方面的才华在大学时代就开始充分显现，曾获得时报文学奖推荐奖、《联合文学》中篇小说新人奖等，并拍摄有一部三十分钟的十六厘米影片《鬼的狂欢》。主要文学作品有《鬼的狂欢》《鳄鱼手记》《蒙马特遗书》《邱妙津日记》等。《鳄鱼手记》已被翻译成英语、法语、德语、土耳其语、西班牙语和意大利语等多种语言。 2014年，《蒙马特遗书》列入《纽约书评》“经典重现”（ NYRB Classics）出版，邱妙津是该书系继张爱玲之后第二位华语作者。 2015年，英文版《蒙马特遗书》入围美国最佳翻译图书奖长名单。 2017年，《鳄鱼手记》亦列入《纽约书评》经典书系出版。 2018年，英文版《鳄鱼手记》获卢西恩·斯泰克亚洲翻译奖。...(展开全部)

邱妙津，台湾彰化人，一九六九年生，一九九一年毕业于台湾大学，一九九二年赴法国，留学巴黎第八大学心理系，一九九五年六月在巴黎自杀身亡，年仅二十六岁。邱妙津多方面的才华在大学时代就开始充分显现，曾获得时报文学奖推荐奖、《联合文学》中篇小说新人奖等，并拍摄有一部三十分钟的十六厘米影片《鬼的狂欢》。主要文学作品有《鬼的狂欢》《鳄鱼手记》《蒙马特遗书》《邱妙津日记》等。《鳄鱼手记》已被翻译成英语、法语、德语、土耳其语、西班牙语和意大利语等多种语言。 2014年，《蒙马特遗书》列入《纽约书评》“经典重现”（ NYRB Classics）出版，邱妙津是该书系继张爱玲之后第二位华语作者。 2015年，英文版《蒙马特遗书》入围美国最佳翻译图书奖长名单。 2017年，《鳄鱼手记》亦列入《纽约书评》经典书系出版。 2018年，英文版《鳄鱼手记》获卢西恩·斯泰克亚洲翻译奖。...(展开全部)

The final work of the great sociologist, economist, and political scientist starts with descriptions and analyses of the agrarian systems, and then explores manorial system, guilds, and early capitalism, organization of industry and mining, development of commerce, technical requisites for transporting goods, banking systems, evolution of capitalism and capitalistic spirit.

The final work of the great sociologist, economist, and political scientist starts with descriptions and analyses of the agrarian systems, and then explores manorial system, guilds, and early capitalism, organization of industry and mining, development of commerce, technical requisites for transporting goods, banking systems, evolution of capitalism and capitalistic spirit.

This is a major event in film studies: we hear as if for the first time the live pulse of Godard’s lectures and discussions in Montreal in 1978—a series of fourteen meetings that pave the way for the eight chapters of his Histoire(s) du cinéma (1988–1998). Timothy Barnard conveys brilliantly Godard’s mercurial thought in action, even at its most hesitant, contradictory and ambi...(展开全部)

On the eve of Angolan independence, Ludo bricks herself into her apartment, where she will remain for the next thirty years. She lives off vegetables and pigeons, burns her furniture and books to stay alive and keeps herself busy by writing her story on the walls of her home. The outside world slowly seeps into Ludo’s life through snippets on the radio, voices from next door, g...(展开全部)

【作者】若泽·爱德华多·阿瓜卢萨（José Eduardo Agualusa） 1960年出生于安哥拉，曾在葡萄牙学习农学和林学，作家、记者，著作颇丰，其作品已被翻译成25种语言出版。 近年来，阿瓜卢萨在英语世界声名鹊起，成为当代安哥拉乃至整个葡语世界的代表作家。2007年凭借《贩卖过去的人》获英国《独立报》外国小说奖，是该奖设立以来首位获奖的非洲作家。《遗忘通论》入围2016年布克国际奖决选名单并获得2017年国际都柏林文学奖。 【译者】王渊，文学博士，译有《所有的名字》《大象旅行记》等文学作品。